I Came for the First Amendment. They’re Checking Passports.

I Came for the First Amendment. They’re Checking Passports.

I put on The Post expecting a tidy awards-season drama that I somehow missed, and it got me right there on my own couch.

The scene that did it isn’t loud. No aliens. No dinosaurs. No archaeologist. Yes, a John Williams score; after all, what’s a Spielberg movie without one. But not even the score was present during it:

The reporters have spread the Pentagon Papers across the floor and just read. Typewriters are ferociously clicking. Presented with thousands of pages where a government lied to its own people about a war, a roomful of people decided the public deserved to see it anyway, and a publisher, risking her whole company, and the newsroom risking prison, chose to print.

The part I texted my husband about

I couldn’t sit on what I was feeling, so I texted Jon mid-scene. Roughly: watching them dig through the thing the government wanted buried, I felt this huge, slightly embarrassing pride, because that’s the country I chose. And it lands differently for me than for somebody born here. A person born here got handed this place. I read what it claimed to stand for, and I signed. On purpose. That’s my American Dream, and yeah, I got a little misty saying it.

I’m not embarrassed by that.

What I actually signed up for

Here’s what I signed up for, specifically, because the specifics are the whole thing now.

I signed up for what the founders wrote down before almost anything else: you can say what’s true about your government, and the government doesn’t get to stop you. The Post is a movie about that one clause doing its job. The press printed what the power didn’t want printed, the Court agreed six to three, and the country held. Not unanimously. Scary to think what the Roberts court would have done in 2026.

I also signed up for the words on the statue in the harbor. The tired, the poor, the huddled masses yearning to breathe free. Nobody put that up as decoration. It was a promise with my name on it before anyone knew I’d exist or which language I’d end up dreaming in.

The counterfeit they’re selling

Now look at what’s getting sold where that promise used to sit.

When the government decided one AI model was “too dangerous”, it didn’t go after the danger. It went after people. The order blocked access by citizenship, cutting off foreign nationals whether they sat in another country or at a desk in an American office on a green card. Lawful residents. Employees who aren’t citizens yet. People who pay taxes here and build here.

They called it national security. Take the costume off. The rule doesn’t ask what you might do with the thing. It asks where you were born. That’s not a security control. It’s a border drawn through a sign-in page, and I’ve gotten tired of pretending I can’t see what that is.

The tell

Here’s the part that gives the whole game away, and it’d be funny if I didn’t have skin in it.

This technology got built, in big part, by immigrants.

Immigrants, we get the job done.

A clear majority of the top people doing this work in the United States were born elsewhere. The labs everybody’s so proud of run on exactly the people that statue was talking about; people like me.

Don't believe me? Read the founder lists. OpenAI's include Ilya Sutskever, born in the USSR, and Wojciech Zaremba, from Poland. The chips the whole thing runs on come from companies run by Jensen Huang and Lisa Su, both born in Taiwan. xAI's founding bench, before SpaceX swallowed it, read like a UN roster: Babuschkin, Szegedy, Yang, Ba, Wu. The labs everyone wants to wrap in the flag were built by the exact people this policy wants to card at the door.

Gate the work by nationality and you’re not guarding American brilliance. You’re insulting the people who built it and calling it “safety.”

Remember, Einstein was an immigrant too.

And here’s what should scare the people signing the checks

Set the principle aside for a second and look at the plumbing.

Anyone who runs real systems keeps a list of the things that can take them down: a vendor folding, a region going dark, a bad update bricking the whole fleet, as CrowdStrike did (thanks again for that week, George!).

There’s a new entry on that list now, and it’s a strange one to have to write down, because I decided to become a citizen of the United States, not of Russia or China.

The US government can decide your provider’s model is contraband on a Friday and pull it out from under you, worldwide, because nobody can sort millions of users by passport at a login screen, so they kill it for everyone at once. You can patch around a bad update. You can’t patch around a decree.

Can you imagine the poor SRE trying to bring a production service back online when the model that powered it went, poof?

And after all that breakage, the order protects nothing. You don’t contain a capability by refusing to let people log in. The math doesn’t stop at the border (just like encryption didn’t stop with export controls). Wall it off here, and it gets built over there, by people glad to take the work, the jobs, and the lead we keep bragging about. That’s how an edge actually goes. Not in one dramatic loss, but by quietly becoming the unreliable option while your talent and your customers go find a door that stays open, and is cheaper.

Isn’t that “the market” doing its thing?

Why a 1971 movie hit a guy in 2026

I didn’t inherit this promise. I read the fine print and signed, knowing exactly which clauses I was there for. The Post showed me one of them getting honored at real cost, by people who could’ve folded and didn’t. Then I looked up from the couch at a government honoring the opposite, dressing exclusion up as protection and stamping “patriot” on it.

*bald eagles caw in unison*

I’m not telling you about my feelings to be cute. I’m telling you because the ones who chose this country tend to read the contract more carefully than the ones born into it. And the contract’s getting rewritten while everybody argues about the model.

So we stand

Grief isn’t the move. I’ve done the grief, a few times, on that same couch. The move is the unglamorous thing the movie’s actually about. You assert the freedom by using it. You say the true thing out loud, in public, and make them come argue with you where people can watch.

So here’s mine. A government that sorts people by birthplace and files it under “security” isn’t protecting the country I signed up for. It’s betraying it. The dream I chose came with a free-speech clause and an open harbor, and both of those are mine now, bought with a willing signature and a citizenship test I actually studied for. I’ll keep saying it until saying it stops feeling brave.

And if you were born into this promise rather than choosing it, maybe stand for it, too. Losing it costs a lot more than keeping it, and the bill doesn’t come all at once. It comes one quiet plug-pull at a time.

P.S.1. Bald eagles actually don’t caw. They make a rather pathetic sound. What Hollywood has led us to understand as an eagle’s freedom call is, in reality, a hawk’s sound.

P.S.2. This is not a defense of Dario Amodei, the boy who cried wolf.

P.S.3. If the United States is so worried about the private sector coming up with leap-frogging technological advances, maybe it should invest in technology instead of ballrooms, bail funds, and walls.

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Jamie Larson
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